Covers all aspects of computing with sound, and sound as an information channel.
MiniMind-O is an open 0.1B-scale omni model built on the MiniMind language model. It accepts text, speech, and image inputs, and returns both text and streaming speech. The release includes model code, checkpoints, and the main Parquet training datasets for text-to-audio, image-to-text, and audio-to-audio training, making the complete interaction loop directly inspectable. The model uses a full MiniMind backbone as the Thinker and an independent four-layer Talker made from MiniMind blocks. Frozen SenseVoice-Small and SigLIP2 encoders provide speech and image features, which are mapped by lightweight MLP projectors and injected at modality-placeholder positions. The Talker reads a middle-layer Thinker state together with an autoregressive eight-layer Mimi-code buffer. Speaker control is handled by a dedicated speaker token, right-aligned reference codec prompts, and precomputed CAM++ speaker embeddings, so voice conditioning remains part of the audio-code context rather than a separate TTS module. With a 768-dimensional Talker, the dense and MoE variants reach average CERs of 0.0897 and 0.0900 in Thinker--Talker consistency evaluation, with overall voice-cloning similarities of 0.5995 and 0.5937. Beyond reporting a working system, the paper identifies three scale-critical design choices for small omni models: middle-layer semantic bridging, a released multimodal sequence format, and a parameter-efficient eight-codebook interface.
Voice design from natural language descriptions is emerging as a new task in text-to-speech multimodal generation, aiming to synthesize speech with target timbre and speaking style without relying on reference audio. However, existing methods mainly focus on single-utterance generation, leaving conversational voice design largely unexplored. In this work, we extend voice design to dialogue, enabling better target speaker modeling and turn-level expressive control in natural conversational settings. We propose CapTalk, a unified caption-conditioned text-audio autoregressive framework for both single-utterance and dialogue voice design. CapTalk uses utterance-level captions for single-utterance voice design and speaker-level captions for dialogue speaker modeling, and further introduces a CoT control sequence in dialogue to explicitly plan turn-level dynamic attributes. To resolve the conflict between stable timbre preservation and context-adaptive expression, we propose a hierarchical variational conditioning module with an utterance-level speaker encoder to better balance stable timbre preservation and context-adaptive expression. This enables timbre reuse while keeping expression adaptive to the current utterance and, in dialogue, the surrounding context. We also build a comprehensive evaluation protocol for both single-utterance and dialogue settings. Experiments show that CapTalk achieves state-of-the-art performance on a single-utterance voice design benchmark and delivers better expression controllability and contextual appropriateness in multi-turn dialogue. Audio samples are available at: https://anonymous.4open.science/api/repo/Captalk-D601/file/index.html.
Rapid advances in singing voice synthesis have increased unauthorized imitation risks, creating an urgent need for better Singing Voice Deepfake (SingFake) Detection, also known as SVDD. Unlike speech, singing contains complex pitch, wide dynamic range, and timbral variations. Conventional 16 kHz-sampled detectors prove inadequate, as they discard vital high-frequency information. This study presents the first systematic analysis of high-resolution (44.1 kHz sampling rate) audio for SVDD. We propose a joint fullband-subband modeling framework: the fullband captures global context, while subband-specific experts isolate fine-grained synthesis artifacts unevenly distributed across the spectrum. Experiments on the WildSVDD dataset demonstrate that high-frequency subbands provide essential complementary cues. Our framework significantly outperforms 16 kHz-sampled models, proving that high-resolution audio and strategic subband integration are critical for robust in-the-wild detection.
In this paper, we propose Universal Holistic Audio Generation (UniHAGen), a task for synthesizing comprehensive auditory scenes that include both on-screen and off-screen sounds across diverse domains (e.g., ambient events, musical instruments, and human speech). Prior video-conditioned audio generation models typically focus on producing on-screen environmental sounds that correspond to visible sounding events, neglecting off-screen auditory events. While recent holistic joint text-video-to-audio generation models aim to produce auditory scenes with both on- and off-screen sound but they are limited to non-speech sounds, lacking the ability to generate or integrate human speech. To overcome these limitations, we introduce OmniSonic, a flow-matching-based diffusion framework jointly conditioned on video and text. It features a TriAttn-DiT architecture that performs three cross-attention operations to process on-screen environmental sound, off-screen environmental sound, and speech conditions simultaneously, with a Mixture-of-Experts (MoE) gating mechanism that adaptively balances their contributions during generation. Furthermore, we construct UniHAGen-Bench, a new benchmark with over one thousand samples covering three representative on/off-screen speech-environment scenarios. Extensive experiments show that OmniSonic consistently outperforms state-of-the-art approaches on both objective metrics and human evaluations, establishing a strong baseline for universal and holistic audio generation. Project page: https://weiguopian.github.io/OmniSonic_webpage/
This study investigates robust speech-related decoding from non-invasive MEG signals using the LibriBrain phoneme-classification benchmark from the 2025 PNPL competition. We compare residual convolutional neural networks (CNNs), an STFT-based CNN, and a CNN--Transformer hybrid, while also examining the effects of group averaging, label balancing, repeated grouping, normalization strategies, and data augmentation. Across our in-house implementations, preprocessing and data-configuration choices matter more than additional architectural complexity, among which instance normalization emerges as the most influential modification for generalization. The strongest of our own models, a CNN with group averaging, label balancing, repeated grouping, and instance normalization, achieves 60.95% F1-macro on the test split, compared with 39.53% for the plain CNN baseline. However, most of our models, without instance normalization, show substantial validation-to-test degradation, indicating that distribution shift induced by different normalization statistics is a major obstacle to generalization in our experiments. By contrast, MEGConformer maintains 64.09% F1-macro on both validation and test, and saliency-map analysis is qualitatively consistent with this contrast: weaker models exhibit more concentrated or repetitive phoneme-sensitive patterns across splits, whereas MEGConformer appears more distributed. Overall, the results suggest that improving the reliability of non-invasive phoneme decoding will likely require better handling of normalization-related distribution shift while also addressing the challenge of single-trial decoding.
In order to gain fresh insights about the information processing characteristics of different audio classification models, we propose transferability analysis. Given a minimal, sufficient signal for a classification on a model $f$, transferability analysis asks whether other models accept this minimal signal as having the same classification as it did on $f$. We define what it means for a sufficient signal to be transferable and perform a large study over $3$ different classification tasks: music genre, emotion recognition and deepfake detection. We find that transferability rates vary depending on the task, with sufficient signals for music genre being transferable $\approx26\%$ of the time. The other tasks reveal much higher variance in transferability and reveal that some models, in particular on deepfake detection, have different transferability behavior. We call these models `flat-earther' models. We investigate deepfake audio in more depth, and show that transferability analysis also allows to us to discover information theoretic differences between the models which are not captured by the more familiar metrics of accuracy and precision.
Partial deepfake speech detection requires identifying manipulated regions that may occur within short temporal portions of an otherwise bona fide utterance, making the task particularly challenging for conventional utterance-level classifiers. We propose a split-and-conquer framework that decomposes the problem into two stages: boundary detection and segment-level classification. A dedicated boundary detector first identifies temporal transition points, allowing the audio signal to be divided into segments that are expected to contain acoustically consistent content. Each resulting segment is then evaluated independently to determine whether it corresponds to bona fide or fake speech. This formulation simplifies the learning objective by explicitly separating temporal localization from authenticity assessment, allowing each component to focus on a well-defined task. To further improve robustness, we introduce a reflection-based multi-length training strategy that converts variable-duration segments into several fixed input lengths, producing diverse feature-space representations. Each stage is trained using multiple configurations with different feature extractors and augmentation strategies, and their complementary predictions are fused to obtain improved final models. Experiments on the PartialSpoof benchmark demonstrate state-of-the-art performance across multiple temporal resolutions as well as at the utterance level, with substantial improvements in the accurate detection and localization of spoofed regions. In addition, the proposed method achieves state-of-the-art performance on the Half-Truth dataset, further confirming the robustness and generalization capability of the framework.
Spatial audio is crucial for immersive 360-degree video experiences, yet most 360-degree videos lack it due to the difficulty of capturing spatial audio during recording. Automatically generating spatial audio such as first-order ambisonics (FOA) from video therefore remains an important but challenging problem. In complex scenes, sound perception depends not only on sound source locations but also on scene geometry, materials, and dynamic interactions with the environment. However, existing approaches only rely on visual cues and fail to model dynamic sources and acoustic effects such as occlusion, reflections, and reverberation. To address these challenges, we propose DynFOA, a generative framework that synthesizes FOA from 360-degree videos by integrating dynamic scene reconstruction with conditional diffusion modeling. DynFOA analyzes the input video to detect and localize dynamic sound sources, estimate depth and semantics, and reconstruct scene geometry and materials using 3D Gaussian Splatting (3DGS). The reconstructed scene representation provides physically grounded features that capture acoustic interactions between sources, environment, and listener viewpoint. Conditioned on these features, a diffusion model generates spatial audio consistent with the scene dynamics and acoustic context. We introduce M2G-360, a dataset of 600 real-world clips divided into MoveSources, Multi-Source, and Geometry subsets for evaluating robustness under diverse conditions. Experiments show that DynFOA consistently outperforms existing methods in spatial accuracy, acoustic fidelity, distribution matching, and perceived immersive experience.
Symbolic music generation has made significant progress, yet achieving fine-grained and flexible control over composer style remains challenging. Existing training-based methods for composer style conditioning depend on large labeled datasets. Besides, these methods typically support only single-composer generation at a time, limiting their applicability to more creative or blended scenarios. In this work, we propose Composer Vector, an inference-time steering method that operates directly in the model's latent space to control composer style without retraining. Through experiments on multiple symbolic music generation models, we show that Composer Vector effectively guides generations toward target composer styles, enabling smooth and interpretable control through a continuous steering coefficient. It also enables seamless fusion of multiple styles within a unified latent space framework. Overall, our work demonstrates that simple latent space steering provides a practical and general mechanism for controllable symbolic music generation, enabling more flexible and interactive creative workflows. Code and Demo are available here: https://github.com/JiangXunyi/Composer-Vector and https://jiangxunyi.github.io/composervector.github.io/
The audio research community depends on open generative models as foundational tools for building novel approaches and establishing baselines. In this report, we present Woosh, Sony AI's publicly released sound effect foundation model, detailing its architecture, training process, and an evaluation against other popular open models. Being optimized for sound effects, we provide (1) a high-quality audio encoder/decoder model and (2) a text-audio alignment model for conditioning, together with (3) text-to-audio and (4) video-to-audio generative models. Distilled text-to-audio and video-to-audio models are also included in the release, allowing for low-resource operation and fast inference. Our evaluation on both public and private data shows competitive or better performance for each module when compared to existing open alternatives like StableAudio-Open and TangoFlux. Inference code and model weights are available at https://github.com/SonyResearch/Woosh. Demo samples can be found at https://sonyresearch.github.io/Woosh/.
Recent advances in AudioLLMs have enabled spoken dialogue systems to move beyond turn-based interaction toward real-time full-duplex communication, where the agent must decide when to speak, yield, or interrupt while the user is still talking. Existing full-duplex approaches either rely on voice activity cues, which lack semantic understanding, or on ASR-based modules, which introduce latency and degrade under overlapping speech and noise. Moreover, available datasets rarely capture realistic interaction dynamics, limiting evaluation and deployment. To mitigate the problem, we propose \textbf{FastTurn}, a unified framework for low-latency and robust turn detection. To advance latency while maintaining performance, FastTurn combines streaming CTC decoding with acoustic features, enabling early decisions from partial observations while preserving semantic cues. We also release a test set based on real human dialogue, capturing authentic turn transitions, overlapping speech, backchannels, pauses, pitch variation, and environmental noise. Experiments show FastTurn achieves higher decision accuracy with lower interruption latency than representative baselines and remains robust under challenging acoustic conditions, demonstrating its effectiveness for practical full-duplex dialogue systems.
Audio-Visual Navigation (AVN) requires an embodied agent to navigate toward a sound source by utilizing both vision and binaural audio. A core challenge arises in complex acoustic environments, where binaural cues become intermittently unreliable, particularly when generalizing to previously unheard sound categories. To address this, we propose RAVN (Reliability-Aware Audio-Visual Navigation), a framework that conditions cross-modal fusion on audio-derived reliability cues, dynamically calibrating the integration of audio and visual inputs. RAVN introduces an Acoustic Geometry Reasoner (AGR) that is trained with geometric proxy supervision. Using a heteroscedastic Gaussian NLL objective, AGR learns observation-dependent dispersion as a practical reliability cue, eliminating the need for geometric labels during inference. Additionally, we introduce Reliability-Aware Geometric Modulation (RAGM), which converts the learned cue into a soft gate to modulate visual features, thereby mitigating cross-modal conflicts. We evaluate RAVN on SoundSpaces using both Replica and Matterport3D environments, and the results show consistent improvements in navigation performance, with notable robustness in the challenging unheard sound setting.
Audio-visual navigation tasks require agents to locate and navigate toward continuously vocalizing targets using only visual observations and acoustic cues. However, existing methods mainly rely on simple feature concatenation or late fusion, and lack an explicit discrete representation of the target's relative position, which limits learning efficiency and generalization. We propose Spatial-Aware Conditioned Fusion (SACF). SACF first discretizes the target's relative direction and distance from audio-visual cues, predicts their distributions, and encodes them as a compact descriptor for policy conditioning and state modeling. Then, SACF uses audio embeddings and spatial descriptors to generate channel-wise scaling and bias to modulate visual features via conditional linear transformation, producing target-oriented fused representations. SACF improves navigation efficiency with lower computational overhead and generalizes well to unheard target sounds.
Audio-visual Navigation refers to an agent utilizing visual and auditory information in complex 3D environments to accomplish target localization and path planning, thereby achieving autonomous navigation. The core challenge of this task lies in the following: how the agent can break free from the dependence on training data and achieve autonomous navigation with good generalization performance when facing changes in environments and sound sources. To address this challenge, we propose an Audio Spatially-Guided Fusion for Audio-Visual Navigation method. First, we design an audio spatial feature encoder, which adaptively extracts target-related spatial state information through an audio intensity attention mechanism; based on this, we introduce an Audio Spatial State Guided Fusion (ASGF) to achieve dynamic alignment and adaptive fusion of multimodal features, effectively alleviating noise interference caused by perceptual uncertainty. Experimental results on the Replica and Matterport3D datasets indicate that our method is particularly effective on unheard tasks, demonstrating improved generalization under unknown sound source distributions.
Voice cloning is often evaluated in terms of overall quality, but less is known about accent preservation and its perceptual consequences. We compare standard and heavily accented Mandarin speech and their voice clones using a combined computational and perceptual design. Embedding-based analyses show no reliable accented-standard difference in original-clone distances across systems. In the perception study, clones are rated as more similar to their originals for standard than for accented speakers, and intelligibility increases from original to clone, with a larger gain for accented speech. These results show that accent variation can shape perceived identity match and intelligibility in voice cloning even when it is not reflected in an off-the-shelf speaker-embedding distance, and they motivate evaluating speaker identity preservation and accent preservation as separable dimensions.
While deepfake speech detectors built on large self-supervised learning (SSL) models achieve high accuracy, employing standard ensemble fusion to further enhance robustness often results in oversized systems with diminishing returns. To address this, we propose an evolutionary multi-objective score fusion framework that jointly minimizes detection error and system complexity. We explore two encodings optimized by NSGA-II: binary-coded detector selection for score averaging and a real-valued scheme that optimizes detector weights for a weighted sum. Experiments on the ASVspoof 5 dataset with 36 SSL-based detectors show that the obtained Pareto fronts outperform simple averaging and logistic regression baselines. The real-valued variant achieves 2.37% EER (0.0684 minDCF) and identifies configurations that match state-of-the-art performance while significantly reducing system complexity, requiring only half the parameters. Our method also provides a diverse set of trade-off solutions, enabling deployment choices that balance accuracy and computational cost.
Contrastively pretrained audio-language models (e.g., CLAP) excel at clip-level understanding but struggle with frame-level tasks. Existing extensions fail to exploit the varying granularity of real-world audio-text data, where massive clip-level textual descriptions coexist with limited frame-level annotations. This paper proposes Fine-grained Language-Audio Pretraining (FineLAP), a novel training paradigm that advances both clip- and frame-level alignment in CLAP with heterogeneous data. FineLAP introduces a dual-stream sigmoid loss with a cluster-based sampling strategy to jointly learn from clip- and frame-level supervision. To capture both global semantics and local details, FineLAP uses a decoupled audio projector on top of a self-supervised encoder. To alleviate the scarcity of temporally annotated data, we present FineLAP-100k, a large-scale synthetic SED dataset constructed through a scalable curation pipeline. Extensive experiments demonstrate that FineLAP achieves SOTA performance across multiple audio understanding tasks, including retrieval, classification, sound event detection, and text-to-audio grounding. Ablation studies further show that coarse- and fine-grained alignment are mutually beneficial, providing insights for building better audio-language models (ALMs).
Partial audio deepfakes, where synthesized segments are spliced into genuine recordings, are particularly deceptive because most of the audio remains authentic. Existing detectors are supervised: they require frame-level annotations, overfit to specific synthesis pipelines, and must be retrained as new generative models emerge. We argue that this supervision is unnecessary. We hypothesize that speech foundation models implicitly encode a forensic signal: genuine speech forms smooth, slowly varying embedding trajectories, while splice boundaries introduce abrupt disruptions in frame-level transitions. Building on this, we propose TRACE (Training-free Representation-based Audio Countermeasure via Embedding dynamics), a training-free framework that detects partial audio deepfakes by analyzing the first-order dynamics of frozen speech foundation model representations without any training, labeled data, or architectural modification. We evaluate TRACE on four benchmarks that span two languages using six speech foundation models. In PartialSpoof, TRACE achieves 8.08% EER, competitive with fine-tuned supervised baselines. In LlamaPartialSpoof, the most challenging benchmark featuring LLM-driven commercial synthesis, TRACE surpasses a supervised baseline outright (24.12% vs. 24.49% EER) without any target-domain data. These results show that temporal dynamics in speech foundation models provide an effective, generalize signal for training-free audio forensics.
For people with noise sensitivity, everyday soundscapes can be overwhelming. Existing tools such as active noise cancellation reduce discomfort by suppressing the entire acoustic environment, often at the cost of awareness of surrounding people and events. We present Sona, an interactive mobile system for real-time soundscape mediation that selectively attenuates bothersome sounds while preserving desired audio. Sona is built on a target-conditioned neural pipeline that supports simultaneous attenuation of multiple overlapping sound sources, overcoming the single-target limitation of prior systems. It runs in real time on-device and supports user-extensible sound classes through in-situ audio examples, without retraining. Sona is informed by a formative study with 68 noise-sensitive individuals. Through technical benchmarking and an in-situ study with 10 participants, we show that Sona achieves low-latency, multi-target attenuation suitable for live listening, and enables meaningful reductions in bothersome sounds while maintaining awareness of surroundings. These results point toward a new class of personal AI systems that support comfort and social participation by mediating real-world acoustic environments.
Objective: This study aimed to evaluate which voice features can predict health deterioration in patients with chronic HF. Background: Heart failure (HF) is a chronic condition with progressive deterioration and acute decompensations, often requiring hospitalization and imposing substantial healthcare and economic burdens. Current standard-of-care (SoC) home monitoring, such as weight tracking, lacks predictive accuracy and requires high patient engagement. Voice is a promising non-invasive biomarker, though prior studies have mainly focused on acute HF stages. Methods: In a 2-month longitudinal study, 32 patients with HF collected daily voice recordings and SoC measures of weight and blood pressure at home, with biweekly questionnaires for health status. Acoustic analysis generated detailed vowel and speech features. Time-series features were extracted from aggregated lookback windows (e.g., 7 days) to predict next-day health status. Explainable machine learning with nested cross-validation identified top vocal biomarkers, and a case study illustrated model application. Results: A total of 21,863 recordings were analyzed. Acoustic vowel features showed strong correlations with health status. Time-series voice features within the lookback window outperformed corresponding standard care measures, achieving peak sensitivity and specificity of 0.826 and 0.782 versus 0.783 and 0.567 for SoC metrics. Key prognostic voice features identifying deterioration included delayed energy shift, low energy variability, and higher shimmer variability in vowels, along with reduced speaking and articulation rate, lower phonation ratio, decreased voice quality, and increased formant variability in speech. Conclusion: Voice-based monitoring offers a non-invasive approach to detect early health changes in chronic HF, supporting proactive and personalized care.