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Engineering Mythology: A Digital-Physical Framework for Culturally-Inspired Public Art

Jnaneshwar Das, Christopher Filkins, Rajesh Moharana, Ekadashi Barik, Bishweshwar Das, David Ayers, Christopher Skiba, Rodney Staggers, Mark Dill, Swig Miller, Daniel Tulberg, Patrick Smith, Seth Brink, Kyle Breen, Harish Anand, Ramon Arrowsmith

Abstract

Navagunjara Reborn: The Phoenix of Odisha was built for Burning Man 2025 as both a sculpture and an experiment-a fusion of myth, craft, and computation. This paper describes the digital-physical workflow developed for the project: a pipeline that linked digital sculpting, distributed fabrication by artisans in Odisha (India), modular structural optimization in the U.S., iterative feedback through photogrammetry and digital twins, and finally, one-shot full assembly at the art site in Black Rock Desert, Nevada. The desert installation tested not just materials, but also systems of collaboration: between artisans and engineers, between myth and technology, between cultural specificity and global experimentation. We share the lessons learned in design, fabrication, and deployment and offer a framework for future interdisciplinary projects at the intersection of cultural heritage, STEAM education, and public art. In retrospect, this workflow can be read as a convergence of many knowledge systems-artisan practice, structural engineering, mythic narrative, and environmental constraint-rather than as execution of a single fixed blueprint.

Engineering Mythology: A Digital-Physical Framework for Culturally-Inspired Public Art

Abstract

Navagunjara Reborn: The Phoenix of Odisha was built for Burning Man 2025 as both a sculpture and an experiment-a fusion of myth, craft, and computation. This paper describes the digital-physical workflow developed for the project: a pipeline that linked digital sculpting, distributed fabrication by artisans in Odisha (India), modular structural optimization in the U.S., iterative feedback through photogrammetry and digital twins, and finally, one-shot full assembly at the art site in Black Rock Desert, Nevada. The desert installation tested not just materials, but also systems of collaboration: between artisans and engineers, between myth and technology, between cultural specificity and global experimentation. We share the lessons learned in design, fabrication, and deployment and offer a framework for future interdisciplinary projects at the intersection of cultural heritage, STEAM education, and public art. In retrospect, this workflow can be read as a convergence of many knowledge systems-artisan practice, structural engineering, mythic narrative, and environmental constraint-rather than as execution of a single fixed blueprint.

Paper Structure

This paper contains 18 sections, 29 figures, 4 tables.

Figures (29)

  • Figure 1: Traditional 'Pattachitra' painting of Navagunjara in Raghurajpur, Odisha, India. Photo courtesy: Lipikka Sahoo
  • Figure 2: Navagunjara Reborn: An 18-foot sculptural fusion of the Navagunjara and Phoenix myths, is illuminated by interactive flame effects at Burning Man 2025. Each animal section showcases traditional Odia crafts—including dhokra metalwork, sabai grass weaving, pattachitra painting, and indigenous textiles—brought together in a monumental installation that celebrates resilience, unity, and the transformative power of mythology through participatory public art.
  • Figure 3: Conceptual synthesis and design-to-build progression of Navagunjara Reborn. (A) Traditional painting of the Navagunjara (source: Wikipedia), the mythological nine-formed composite from Odisha's Mahabharata retelling that anchors the cultural concept. (B) 2D design concept from Boito. (C) Refined Blender digital twin for India Art Fair 2025 (8 ft). (D) 3D render from the Burning Man 2025 full proposal (15--18 ft), submitted for the Honoraria Arts Grant. (E) 3D-printed physical twin of the sculpture, produced in Phoenix, AZ, for structural validation and artisan communication. (F) Crafts atlas mapping traditional Odia craft techniques to each animal section, guiding the fabrication build in Odisha. (G) Full digital twin during India crafts build phase. (H) Completed aluminum CAD superstructure digital twin prior to transport to playa, with scanned crafts staged in Phoenix, AZ. Bottom row: Navagunjara Reborn at Black Rock City, August 2025, with active poofer flame effects.
  • Figure 4: Project timeline for Navagunjara Reborn as two converging branches. Inductive Priors seed both rails. The US/Digital rail carries the approval and design spine. The India/Craft rail carries two independent timelines: the IAF proposal (submitted Oct 1, 2024) seeds the digital twin and executes independently at India Art Fair in Feb 2025; the BM craft fabrication is a separate timeline that begins only after BM Kickoff authorises it (downward dashed). The dotted line between them indicates independent timelines, not a causal dependency. During the craft build, templates flow from the digital twin to artisans and SfM scans return to structural design (teal arrows). Shipping delays compress the structural design window (red). Self-loops mark optimization iterations. Both rails merge at BM Construction---a single-sample draw from the collective design posterior.
  • Figure 5: Blender render of the Burning Man 2025 sculpture design with the controlled torch-based poofer flame effects configuration, with a human figure for scale. The hexagonal tripodal aluminum base is visible. This design followed the pivot from the original open-flame burn concept after FAST review and Black Rock City's LNT protocols necessitated a safer approach to fire.
  • ...and 24 more figures