Membership Inference Attack Against Music Diffusion Models via Generative Manifold Perturbation
Yuxuan Liu, Peihong Zhang, Rui Sang, Zhixin Li, Yizhou Tan, Yiqiang Cai, Shengchen Li
TL;DR
This paper analyzes membership inference attacks on music diffusion models and shows that conventional loss-based signals poorly separate training members from non-members at forensic low-FPRs. It introduces the Latent Stability Adversarial Probe (LSA-Probe), a white-box method that quantifies the adversarial cost required to degrade perceptual quality along the reverse diffusion trajectory, arguing that training members occupy more stable regions. By optimizing time-normalized latent perturbations and calibrating a perceptual degradation threshold, LSA-Probe yields stronger low-FPR signals across both waveform (DiffWave) and latent (MusicLDM) diffusion models on MAESTRO and FMA-Large datasets, with perceptual metrics like CDPAM and MR-STFT providing robust discrimination. The work demonstrates practical utility for forensic auditing of copyright and privacy in generative music, highlighting mid-trajectory timesteps and moderate perturbation budgets as particularly informative and offering a framework that extends to latent-diffusion architectures.
Abstract
Membership inference attacks (MIAs) test whether a specific audio clip was used to train a model, making them a key tool for auditing generative music models for copyright compliance. However, loss-based signals (e.g., reconstruction error) are weakly aligned with human perception in practice, yielding poor separability at the low false-positive rates (FPRs) required for forensics. We propose the Latent Stability Adversarial Probe (LSA-Probe), a white-box method that measures a geometric property of the reverse diffusion: the minimal time-normalized perturbation budget needed to cross a fixed perceptual degradation threshold at an intermediate diffusion state. We show that training members, residing in more stable regions, exhibit a significantly higher degradation cost.
