A new Image Similarity Metric for a Perceptual and Transparent Geometric and Chromatic Assessment
Antonio Di Marino, Vincenzo Bevilacqua, Emanuel Di Nardo, Angelo Ciaramella, Ivanoe De Falco, Giovanna Sannino
TL;DR
This work addresses the mismatch between traditional image quality metrics and human perception by proposing EDOKS, a white-box perceptual similarity metric that jointly quantifies texture dissimilarity via Earth Mover's Distance on Gabor-based texture signatures and color dissimilarity via Euclidean distance in the perceptually uniform Oklab space. The two terms are combined as $ ext{EDOK}(X,Y)= ext{ED}^{EMD}+ ext{ED}^{OK}$ with a tunable weight $ ext{alpha}$, and the final similarity is $ ext{EDOKS}(X,Y)=rac{1}{ ext{EDOK}(X,Y)+c}$. Evaluations on the BAPPS and LIUK4-v2 datasets reveal that EDOKS aligns more closely with human judgments than standard low-level metrics and remains competitive with deep metrics while offering interpretable heatmaps that highlight the regions responsible for the score. Ablation studies confirm the necessity of both terms, and qualitative interpretability analyses demonstrate how texture and color differences jointly shape the perceptual assessment. The work contributes a practical, transparent IQA tool with broad applicability to image generation and distortion evaluation, along with publicly available code.
Abstract
In the literature, several studies have shown that state-of-the-art image similarity metrics are not perceptual metrics; moreover, they have difficulty evaluating images, especially when texture distortion is also present. In this work, we propose a new perceptual metric composed of two terms. The first term evaluates the dissimilarity between the textures of two images using Earth Mover's Distance. The second term evaluates the chromatic dissimilarity between two images in the Oklab perceptual color space. We evaluated the performance of our metric on a non-traditional dataset, called Berkeley-Adobe Perceptual Patch Similarity, which contains a wide range of complex distortions in shapes and colors. We have shown that our metric outperforms the state of the art, especially when images contain shape distortions, confirming also its greater perceptiveness. Furthermore, although deep black-box metrics could be very accurate, they only provide similarity scores between two images, without explaining their main differences and similarities. Our metric, on the other hand, provides visual explanations to support the calculated score, making the similarity assessment transparent and justified.
