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Breaking Audio Large Language Models by Attacking Only the Encoder: A Universal Targeted Latent-Space Audio Attack

Roee Ziv, Raz Lapid, Moshe Sipper

TL;DR

The paper addresses security risks in audio-language models by demonstrating a universal, targeted attack that operates solely through reusable audio encoders. It introduces U-TLSA, a gray-box method that learns one perturbation in the waveform space to steer encoder latent representations toward a attacker-chosen target, without gradient access to the decoder. Empirical results on Qwen2-Audio-7B-Instruct across diverse datasets show high cross-domain success rates and substantial efficiency benefits over end-to-end attacks, while random noise fails to trigger targets. The work highlights encoder-level vulnerabilities as a practical attack surface and motivates defenses at the encoder boundary to secure ALLMs in real deployments.

Abstract

Audio-language models combine audio encoders with large language models to enable multimodal reasoning, but they also introduce new security vulnerabilities. We propose a universal targeted latent space attack, an encoder-level adversarial attack that manipulates audio latent representations to induce attacker-specified outputs in downstream language generation. Unlike prior waveform-level or input-specific attacks, our approach learns a universal perturbation that generalizes across inputs and speakers and does not require access to the language model. Experiments on Qwen2-Audio-7B-Instruct demonstrate consistently high attack success rates with minimal perceptual distortion, revealing a critical and previously underexplored attack surface at the encoder level of multimodal systems.

Breaking Audio Large Language Models by Attacking Only the Encoder: A Universal Targeted Latent-Space Audio Attack

TL;DR

The paper addresses security risks in audio-language models by demonstrating a universal, targeted attack that operates solely through reusable audio encoders. It introduces U-TLSA, a gray-box method that learns one perturbation in the waveform space to steer encoder latent representations toward a attacker-chosen target, without gradient access to the decoder. Empirical results on Qwen2-Audio-7B-Instruct across diverse datasets show high cross-domain success rates and substantial efficiency benefits over end-to-end attacks, while random noise fails to trigger targets. The work highlights encoder-level vulnerabilities as a practical attack surface and motivates defenses at the encoder boundary to secure ALLMs in real deployments.

Abstract

Audio-language models combine audio encoders with large language models to enable multimodal reasoning, but they also introduce new security vulnerabilities. We propose a universal targeted latent space attack, an encoder-level adversarial attack that manipulates audio latent representations to induce attacker-specified outputs in downstream language generation. Unlike prior waveform-level or input-specific attacks, our approach learns a universal perturbation that generalizes across inputs and speakers and does not require access to the language model. Experiments on Qwen2-Audio-7B-Instruct demonstrate consistently high attack success rates with minimal perceptual distortion, revealing a critical and previously underexplored attack surface at the encoder level of multimodal systems.
Paper Structure (12 sections, 8 equations, 2 figures, 2 tables)

This paper contains 12 sections, 8 equations, 2 figures, 2 tables.

Figures (2)

  • Figure 1: U-TLSA Optimization Process. The optimization pipeline freezes the audio encoder and minimizes the cosine distance between the embedding of the fixed target audio ($H_{tgt}$) and the current embedding of the carrier audio with the universal perturbation ($x + \delta$). The gradient update is applied solely to the universal perturbation $\delta$, while the LLM decoder remains frozen and inactive.
  • Figure 2: Spectrogram Analysis. Top: The original benign audio. Middle: The learned universal perturbation ($\delta$) with $\epsilon=0.02$, showing significantly lower power (dB) compared to the speech signal. Bottom: The adversarial audio ($x+\delta$), which remains visually nearly identical to the original audio due to the imperceptible nature of the perturbation.