Emergence and Evolution of Interpretable Concepts in Diffusion Models
Berk Tinaz, Zalan Fabian, Mahdi Soltanolkotabi
TL;DR
This work tackles the interpretability of text-to-image diffusion models by applying sparse autoencoders to model activations, uncovering a set of human-interpretable concepts and a scalable concept dictionary. By analyzing time-resolved activations across diffusion steps and three U-Net blocks, the authors demonstrate that coarse image composition emerges very early in the reverse diffusion process, even before coherent visuals appear, and that the composition becomes largely finalized by the middle stages. They extend this understanding with causal interventions—both spatially targeted and global—showing that composition can be steered in early stages while style can be edited in middle stages, with final stages exhibiting high editing resistance. The study also introduces a robust vision-based labeling pipeline to map SAE concepts to semantic objects, enabling segmentation-based evaluation and paving the way for time-adaptive editing techniques. Overall, the results illuminate the temporal evolution of visual representations in diffusion models and suggest practical, stage-aware editing strategies for controllable image generation.
Abstract
Diffusion models have become the go-to method for text-to-image generation, producing high-quality images from pure noise. However, the inner workings of diffusion models is still largely a mystery due to their black-box nature and complex, multi-step generation process. Mechanistic interpretability techniques, such as Sparse Autoencoders (SAEs), have been successful in understanding and steering the behavior of large language models at scale. However, the great potential of SAEs has not yet been applied toward gaining insight into the intricate generative process of diffusion models. In this work, we leverage the SAE framework to probe the inner workings of a popular text-to-image diffusion model, and uncover a variety of human-interpretable concepts in its activations. Interestingly, we find that even before the first reverse diffusion step is completed, the final composition of the scene can be predicted surprisingly well by looking at the spatial distribution of activated concepts. Moreover, going beyond correlational analysis, we design intervention techniques aimed at manipulating image composition and style, and demonstrate that (1) in early stages of diffusion image composition can be effectively controlled, (2) in the middle stages image composition is finalized, however stylistic interventions are effective, and (3) in the final stages only minor textural details are subject to change.
