VIP: Video Inpainting Pipeline for Real World Human Removal
Huiming Sun, Yikang Li, Kangning Yang, Ruineng Li, Daitao Xing, Yangbo Xie, Lan Fu, Kaiyu Zhang, Ming Chen, Jiaming Ding, Jiang Geng, Jie Cai, Zibo Meng, Chiuman Ho
TL;DR
VIP tackles real-world high-resolution video inpainting for removing humans without relying on text prompts. It builds on a state-of-the-art text-to-video diffusion backbone by introducing a motion module and progressive latent denoising via a Variational Autoencoder, coupled with a shadow-aware, KD-SAM-based segmentation of humans, belongings, and shadows. The framework also employs reference-image integration and a Dual-Fusion Latent Segment Refinement strategy to maintain temporal coherence across long sequences. Experimental results on YouTube-VOS-test and self-collected data show VIP achieves superior temporal consistency and visual fidelity, advancing practical capabilities for privacy, post-production, and effect-heavy workflows in real-world settings.
Abstract
Inpainting for real-world human and pedestrian removal in high-resolution video clips presents significant challenges, particularly in achieving high-quality outcomes, ensuring temporal consistency, and managing complex object interactions that involve humans, their belongings, and their shadows. In this paper, we introduce VIP (Video Inpainting Pipeline), a novel promptless video inpainting framework for real-world human removal applications. VIP enhances a state-of-the-art text-to-video model with a motion module and employs a Variational Autoencoder (VAE) for progressive denoising in the latent space. Additionally, we implement an efficient human-and-belongings segmentation for precise mask generation. Sufficient experimental results demonstrate that VIP achieves superior temporal consistency and visual fidelity across diverse real-world scenarios, surpassing state-of-the-art methods on challenging datasets. Our key contributions include the development of the VIP pipeline, a reference frame integration technique, and the Dual-Fusion Latent Segment Refinement method, all of which address the complexities of inpainting in long, high-resolution video sequences.
