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JoyGen: Audio-Driven 3D Depth-Aware Talking-Face Video Editing

Qili Wang, Dajiang Wu, Zihang Xu, Junshi Huang, Jun Lv

TL;DR

JoyGen addresses the challenge of precise lip-audio synchronization and high visual fidelity in editing talking-face videos. It introduces a two-stage approach that first derives audio-driven lip motion using a 3DMM-based identity plus an expression predictor, then fuses audio features with mouth-depth maps to supervise high-quality, synchronized facial synthesis via a single-step latent UNet. The method is supported by a new 130-hour Chinese talking-face dataset and evaluation on the HDTF dataset, showing state-of-the-art lip-sync metrics and visual quality. This depth-aware, audio-guided framework enables more accurate lip edits in existing videos, with practical implications for multilingual facial video editing and synthetic media generation.

Abstract

Significant progress has been made in talking-face video generation research; however, precise lip-audio synchronization and high visual quality remain challenging in editing lip shapes based on input audio. This paper introduces JoyGen, a novel two-stage framework for talking-face generation, comprising audio-driven lip motion generation and visual appearance synthesis. In the first stage, a 3D reconstruction model and an audio2motion model predict identity and expression coefficients respectively. Next, by integrating audio features with a facial depth map, we provide comprehensive supervision for precise lip-audio synchronization in facial generation. Additionally, we constructed a Chinese talking-face dataset containing 130 hours of high-quality video. JoyGen is trained on the open-source HDTF dataset and our curated dataset. Experimental results demonstrate superior lip-audio synchronization and visual quality achieved by our method.

JoyGen: Audio-Driven 3D Depth-Aware Talking-Face Video Editing

TL;DR

JoyGen addresses the challenge of precise lip-audio synchronization and high visual fidelity in editing talking-face videos. It introduces a two-stage approach that first derives audio-driven lip motion using a 3DMM-based identity plus an expression predictor, then fuses audio features with mouth-depth maps to supervise high-quality, synchronized facial synthesis via a single-step latent UNet. The method is supported by a new 130-hour Chinese talking-face dataset and evaluation on the HDTF dataset, showing state-of-the-art lip-sync metrics and visual quality. This depth-aware, audio-guided framework enables more accurate lip edits in existing videos, with practical implications for multilingual facial video editing and synthetic media generation.

Abstract

Significant progress has been made in talking-face video generation research; however, precise lip-audio synchronization and high visual quality remain challenging in editing lip shapes based on input audio. This paper introduces JoyGen, a novel two-stage framework for talking-face generation, comprising audio-driven lip motion generation and visual appearance synthesis. In the first stage, a 3D reconstruction model and an audio2motion model predict identity and expression coefficients respectively. Next, by integrating audio features with a facial depth map, we provide comprehensive supervision for precise lip-audio synchronization in facial generation. Additionally, we constructed a Chinese talking-face dataset containing 130 hours of high-quality video. JoyGen is trained on the open-source HDTF dataset and our curated dataset. Experimental results demonstrate superior lip-audio synchronization and visual quality achieved by our method.
Paper Structure (15 sections, 3 equations, 5 figures, 2 tables)

This paper contains 15 sections, 3 equations, 5 figures, 2 tables.

Figures (5)

  • Figure 1: Overview of the proposed method JoyGen. Top: Training pipeline, Bottom: Inference pipeline.
  • Figure 2: Statistics of our newly curated chinese talking-face dataset. Our dataset has an approximately equal ratio of males and females, with varying video lengths and frame rates, and includes high-resolution video frames.
  • Figure 3: The distribution curves of LSE-D and LSE-C scores on the HDTF dataset
  • Figure 4: The distribution curves of LSE-D and LSE-C scores on our collected dataset
  • Figure 5: Qualitative comparisons across different methods show that our approach significantly outperforms others in terms of lip synchronization and image quality.