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EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal

Modan Tailleur, Julien Pinquier, Laurent Millot, Corsin Vogel, Mathieu Lagrange

TL;DR

Performance of a state-of-the-art deep learning model is evaluated for two different classification tasks related to vocal techniques, demonstrating the potential of this resource for the audio processing community.

Abstract

In this paper, we introduce the Extreme Metal Vocals Dataset, which comprises a collection of recordings of extreme vocal techniques performed within the realm of heavy metal music. The dataset consists of 760 audio excerpts of 1 second to 30 seconds long, totaling about 100 min of audio material, roughly composed of 60 minutes of distorted voices and 40 minutes of clear voice recordings. These vocal recordings are from 27 different singers and are provided without accompanying musical instruments or post-processing effects. The distortion taxonomy within this dataset encompasses four distinct distortion techniques and three vocal effects, all performed in different pitch ranges. Performance of a state-of-the-art deep learning model is evaluated for two different classification tasks related to vocal techniques, demonstrating the potential of this resource for the audio processing community.

EMVD dataset: a dataset of extreme vocal distortion techniques used in heavy metal

TL;DR

Performance of a state-of-the-art deep learning model is evaluated for two different classification tasks related to vocal techniques, demonstrating the potential of this resource for the audio processing community.

Abstract

In this paper, we introduce the Extreme Metal Vocals Dataset, which comprises a collection of recordings of extreme vocal techniques performed within the realm of heavy metal music. The dataset consists of 760 audio excerpts of 1 second to 30 seconds long, totaling about 100 min of audio material, roughly composed of 60 minutes of distorted voices and 40 minutes of clear voice recordings. These vocal recordings are from 27 different singers and are provided without accompanying musical instruments or post-processing effects. The distortion taxonomy within this dataset encompasses four distinct distortion techniques and three vocal effects, all performed in different pitch ranges. Performance of a state-of-the-art deep learning model is evaluated for two different classification tasks related to vocal techniques, demonstrating the potential of this resource for the audio processing community.
Paper Structure (18 sections, 3 figures, 2 tables)

This paper contains 18 sections, 3 figures, 2 tables.

Figures (3)

  • Figure 1: EMVD corpus details
  • Figure 2: Example of a 1s log-Mel-spectrogram for each vocal technique and effect
  • Figure 3: Confusion matrix for multi-class classification (values rounded to nearest unit).