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Holon: a cybernetic interface for bio-semiotics

Jon McCormack, Elliott Wilson

TL;DR

Holon investigates non-linguistic, multi-agent sonic interaction by deploying 130 autonomous, solar-powered cybernetic devices that listen and respond to their acoustic environment. The system groups agents into composer/generator, collector/critic, and disruptor roles to generate, collect, and perturb sounds, creating a dynamic, place-specific soundscape that embodies the notion of sonic agency. By integrating cybernetic life with ecological contexts, Holon advances sound-based interfaces beyond monitoring or sonification, offering empirical observations from a 19-day urban installation and suggesting pathways for bio-machine co-existence and environmental awareness through situated sonic exchanges.

Abstract

This paper presents an interactive artwork, "Holon", a collection of 130 autonomous, cybernetic organisms that listen and make sound in collaboration with the natural environment. The work was developed for installation on water at a heritage-listed dock in Melbourne, Australia. Conceptual issues informing the work are presented, along with a detailed technical overview of the implementation. Individual holons are of three types, inspired by biological models of animal communication: composer/generators, collector/critics and disruptors. Collectively, Holon integrates and occupies elements of the acoustic spectrum in collaboration with human and non-human agents.

Holon: a cybernetic interface for bio-semiotics

TL;DR

Holon investigates non-linguistic, multi-agent sonic interaction by deploying 130 autonomous, solar-powered cybernetic devices that listen and respond to their acoustic environment. The system groups agents into composer/generator, collector/critic, and disruptor roles to generate, collect, and perturb sounds, creating a dynamic, place-specific soundscape that embodies the notion of sonic agency. By integrating cybernetic life with ecological contexts, Holon advances sound-based interfaces beyond monitoring or sonification, offering empirical observations from a 19-day urban installation and suggesting pathways for bio-machine co-existence and environmental awareness through situated sonic exchanges.

Abstract

This paper presents an interactive artwork, "Holon", a collection of 130 autonomous, cybernetic organisms that listen and make sound in collaboration with the natural environment. The work was developed for installation on water at a heritage-listed dock in Melbourne, Australia. Conceptual issues informing the work are presented, along with a detailed technical overview of the implementation. Individual holons are of three types, inspired by biological models of animal communication: composer/generators, collector/critics and disruptors. Collectively, Holon integrates and occupies elements of the acoustic spectrum in collaboration with human and non-human agents.
Paper Structure (12 sections, 8 figures)

This paper contains 12 sections, 8 figures.

Figures (8)

  • Figure 1: Holon installation at Docklands waterfront in Melbourne, August 2023. Individual holons are attached to the heritage-listed pillars (formally used in the previous century to dock ships) using a thin steel pole strapped to the white cones on top of the pillars, making them appear to float above the pillars.
  • Figure 2: Schematic diagram of an individual holon.
  • Figure 3: Closeup images of the collector/critic holon (left) and generator/composer holon (right), showing the location of the speaker, microphone and solar panel. Identical microphone/speaker combinations are also present on the opposite side of each (not visible in the figure).
  • Figure 4: The three different holons: composer/generator (left), collector/critic (middle) and disruptor (right).
  • Figure 5: The Holon circuit broad design (left) and assembled PCB (CAD rendering, right)
  • ...and 3 more figures