Resource-constrained stereo singing voice cancellation
Clara Borrelli, James Rae, Dogac Basaran, Matt McVicar, Mehrez Souden, Matthias Mauch
TL;DR
This work tackles stereo singing voice cancellation under real-time, memory-limited conditions by adapting Conv-TasNet into Vox-TasNet, a stereo, near-causal model that estimates stereo instrumental accompaniment from a two-channel mix. Training on large, curated datasets and leveraging a stereo architecture improves cross-channel consistency and reduces artifacts, approaching the performance of larger offline models while preserving low memory and latency. A stereo separation asymmetry metric SSA_SI-SDR is introduced to quantify inter-channel consistency, and the approach is validated through objective metrics and a large-scale MUSHRA-style subjective study. The results demonstrate the practicality of real-time, stereo-aware music source separation on edge devices and underscore the importance of data quality for achieving high-fidelity results.
Abstract
We study the problem of stereo singing voice cancellation, a subtask of music source separation, whose goal is to estimate an instrumental background from a stereo mix. We explore how to achieve performance similar to large state-of-the-art source separation networks starting from a small, efficient model for real-time speech separation. Such a model is useful when memory and compute are limited and singing voice processing has to run with limited look-ahead. In practice, this is realised by adapting an existing mono model to handle stereo input. Improvements in quality are obtained by tuning model parameters and expanding the training set. Moreover, we highlight the benefits a stereo model brings by introducing a new metric which detects attenuation inconsistencies between channels. Our approach is evaluated using objective offline metrics and a large-scale MUSHRA trial, confirming the effectiveness of our techniques in stringent listening tests.
