PALP: Prompt Aligned Personalization of Text-to-Image Models
Moab Arar, Andrey Voynov, Amir Hertz, Omri Avrahami, Shlomi Fruchter, Yael Pritch, Daniel Cohen-Or, Ariel Shamir
TL;DR
PALP tackles the trade-off between persona fidelity and prompt fidelity in text-to-image personalization by separating learning into a subject-specific path and a prompt-aligned score-guidance path. It introduces Delta Denoising Score, a two-branch training objective that steers denoising toward a target prompt while preserving the personalized subject, mitigating overfitting and mode collapse. The method supports single-shot and multi-subject scenarios and demonstrates strong text alignment with complex prompts, often outperforming existing personalization baselines in both qualitative and CLIP-based quantitative measures. Practically, PALP enables richer scene composition, including art-inspired prompts and cross-subject compositions, with potential for prompt-specific adapters to enable instant per-prompt personalization in real-time use cases.
Abstract
Content creators often aim to create personalized images using personal subjects that go beyond the capabilities of conventional text-to-image models. Additionally, they may want the resulting image to encompass a specific location, style, ambiance, and more. Existing personalization methods may compromise personalization ability or the alignment to complex textual prompts. This trade-off can impede the fulfillment of user prompts and subject fidelity. We propose a new approach focusing on personalization methods for a \emph{single} prompt to address this issue. We term our approach prompt-aligned personalization. While this may seem restrictive, our method excels in improving text alignment, enabling the creation of images with complex and intricate prompts, which may pose a challenge for current techniques. In particular, our method keeps the personalized model aligned with a target prompt using an additional score distillation sampling term. We demonstrate the versatility of our method in multi- and single-shot settings and further show that it can compose multiple subjects or use inspiration from reference images, such as artworks. We compare our approach quantitatively and qualitatively with existing baselines and state-of-the-art techniques.
