Pluriharmonic maps into buildings and symmetric differentials
Damian Brotbek, Georgios Daskalopoulos, Ya Deng, Chikako Mese
TL;DR
This work extends Gromov–Schoen's non-archimedean harmonic-map theory to smooth complex quasi-projective varieties by constructing a $\varrho$-equivariant pluriharmonic map $\tilde{u}:\widetilde{X}\to\Delta(G)$ into the Bruhat–Tits building $\Delta(G)$ for a Zariski-dense $\varrho:\pi_1(X)\to G(K)$, with local Lipschitz regularity and logarithmic energy growth. It proves finiteness of energy near the boundary under quasi-unipotent monodromy and shows functoriality under pullback along morphisms, thereby enabling a robust quasi-projective analogue of the Gromov–Schoen machinery. As an application, the authors show that if there exists a linear representation $\pi_1(X)\to\mathrm{GL}_N(\mathbb{K})$ with infinite image, then $H^0(\overline{X},\mathrm{Sym}^k\Omega_{\overline{X}}(\log\Sigma))\neq0$ for some $k>0$, extending Brunebarbe–Klingler–Totaro to quasi-projective settings. The results bridge non-archimedean harmonic maps with geometric-differential consequences, and connect rigidity/integrality phenomena (Simpson's conjecture) to the existence of logarithmic symmetric differentials, yielding significant implications for the structure of fundamental groups of quasi-projective varieties.
Abstract
Given a complex smooth quasi-projective variety $X$, a semisimple algebraic group $G$ defined over some non-archimedean local field $K$ and a Zariski dense representation $\varrho:π_1(X)\to G(K)$, we construct a $\varrho$-equivariant (pluri-)harmonic map from the universal cover of $X$ into the Bruhat-Tits building $Δ(G)$ of $G$, with some suitable asymptotic behavior. This theorem generalizes the previous work by Gromov-Schoen to the quasi-projective setting. As an application, we prove that $X$ has nonzero global logarithmic symmetric differentials if there exists a linear representation $π_1(X)\to {\rm GL}_N(\mathbb{K})$ with infinite image, where $ \mathbb{K}$ is any field. This theorem generalizes the previous work by Brunebarbe, Klingler and Totaro to the quasi-projective setting.
