HEAR: Holistic Evaluation of Audio Representations
Joseph Turian, Jordie Shier, Humair Raj Khan, Bhiksha Raj, Björn W. Schuller, Christian J. Steinmetz, Colin Malloy, George Tzanetakis, Gissel Velarde, Kirk McNally, Max Henry, Nicolas Pinto, Camille Noufi, Christian Clough, Dorien Herremans, Eduardo Fonseca, Jesse Engel, Justin Salamon, Philippe Esling, Pranay Manocha, Shinji Watanabe, Zeyu Jin, Yonatan Bisk
TL;DR
HEAR introduces a holistic, open benchmark for evaluating general-purpose audio representations across speech, environmental sounds, and music. By forcing a single frozen embedding to support diverse tasks via a simple downstream classifier, it reveals cross-domain strengths and weaknesses of 29 models across 19 tasks. Key findings include a new SOTA on FSD50K by CP-JKU PaSST without fine-tuning and the strong pitch-biased performance of CREPE on pitch-centric tasks, while no model dominates all domains. The work emphasizes reproducibility, modularity, and longitudinal studies, and ends with an open invitation to extend the benchmark to new domains and tasks.
Abstract
What audio embedding approach generalizes best to a wide range of downstream tasks across a variety of everyday domains without fine-tuning? The aim of the HEAR benchmark is to develop a general-purpose audio representation that provides a strong basis for learning in a wide variety of tasks and scenarios. HEAR evaluates audio representations using a benchmark suite across a variety of domains, including speech, environmental sound, and music. HEAR was launched as a NeurIPS 2021 shared challenge. In the spirit of shared exchange, each participant submitted an audio embedding model following a common API that is general-purpose, open-source, and freely available to use. Twenty-nine models by thirteen external teams were evaluated on nineteen diverse downstream tasks derived from sixteen datasets. Open evaluation code, submitted models and datasets are key contributions, enabling comprehensive and reproducible evaluation, as well as previously impossible longitudinal studies. It still remains an open question whether one single general-purpose audio representation can perform as holistically as the human ear.
